The pressing issue of matched aprons

In my last episode, I created the curved front apron out of maple. However, my plan for the carcass of my hall table is for cherry. So in this episode I explain how I made my own veneers and then used three different clamping or pressing techniques to apply the veneers to all four table aprons. I could have made life a lot easier on myself if I had about twice as many clamps as I do, proving once again the axiom that a woodworker can never have too many clamps.

Some of you may have also heard my recent discussion on the Fine Woodworking Shop Talk Live podcast where I mentioned a recent mistake I had made with a vacuum press. While the footage in this video shows the "after" scenario, my first attempt at veneering my side aprons found me struggling with a hole in the vacuum bag. A simple piece of tape fixed the problem, but remind me how important it is to do a dry run of ANY kind of clamping technique before the glue gets involved.


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The Tuscan Design Method

In the first two episodes of this build, I worked on getting my live-edge table top shaped. This is actually the reverse process from how I typically work. Usually I start with the carcass and then move on to the top, but in this case the irregular shape of the top needs to actually inform the shape of the base. But in order to be able to lay out my aprons, I must have my legs designed and built first. In this episode, I'll walk you through my organic design process for creating what ultimately became tusk-shaped legs. Then in the next set of episodes, I'll get into the actual layout and construction of the base and joinery - probably my favorite part of any project. And stay tuned, because this project is going to have a fun little twist in the design of the carcass itself.



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